Eugene Onegin: A Dangerous Love Letter


The following is written by guest blogger Kylie Toomer. Kylie is the new Artistic and Office Manager for Madison Opera. She received her B.A. from Luther College in Decorah, Iowa, and her M.M. in Performance from the University of North Texas, where she studied with renowned American Tenor Richard Croft.

Many of us may reminisce on our adolescence and fondly (or not-so fondly) remember our “first love” and the tumultuous feelings of excitement, expectation, and doubt. “Should I confess how I feel?  What if they don’t feel the same? But, what if I say nothing? I have to say something!” Then the moment comes: you finally get up the nerve to bare your soul. Your palms are sweaty, you cannot stop fidgeting, you forget to breathe, and you lose all ability to form a coherent sentence. You finally blurt out: “I-like-you-will-you-go-out-with-me?” Good thing you spent all that time rehearsing in front of the mirror!
Tatiana with a romance novel (Lidia Timoshenk)
In Tchaikovsky’s most famous opera, Eugene Onegin, we meet an adolescent who is discovering her first love. Tatiana, a young country girl who always has her head in a romance novel, meets and instantly falls for the mysterious Onegin. Tatiana resolves to tell Onegin exactly how she feels in one of the most celebrated scenes in the opera, the “Letter Scene.”  Tchaikovsky brilliantly portrays Tatiana’s feelings of exhilaration and hesitation as she pours out her heart to Onegin. Tatiana is young, but she understands the possible consequences of telling Onegin her true feelings. Nevertheless, she is compelled by a stronger force—that of fate— and ultimately succumbs to her emotions.
As the scene begins, Tatiana speaks with a passion and dramatic fire that mimics what she reads in her romance novels— a sign that her fantasies of love are far more real to her than reality (listen for this music again in Act II).  Finally, she begins to write. Tchaikovsky cleverly uses the orchestra to depict the scene: the syncopation (off-beat rhythm) of the low strings represents her erratic heartbeat, the oboe and the flute mimic her writing, and the arpeggiation of the harp paints the image of Tatiana dipping her quill in ink.   
Tatiana contemplates love (D.A. Belyukin)
Unsatisfied with her words, she tears up her letter. Tatiana is overwhelmed with frustration and fear of rejection, yet the hand of fate drives her to confess her feelings. Once again, the same interlude is heard and Tatiana begins another version of the letter, but ultimately discards it. She is convinced Onegin is the man destiny has chosen for her, despite her obvious fears and doubts; recklessness and rationality are fighting against each other. Eventually, Tatiana takes a moment to ponder the wisdom of her actions, and it is here that Tchaikovsky invokes some of the most sentimental and luscious melodies in the opera as she contemplates her as yet unknown fate. Tatiana asks herself: “Are you, Onegin, my guardian angel or my fatal tempter? Perhaps this is all trivial, an illusion of an inexperienced soul.” The simple rhythm and beautiful chromaticism (pitches not belonging to the primary tonal scale) evoke an overwhelming sense of honesty and hope; she is tempering her heart’s passions with a touch of caution. This is Tatiana’s first rational moment in the entire scene and is a glimpse of the woman she is to become. 
However, this moment of rationality is brief and Tatiana decides to commit her life to the hands of destiny. In a musical outburst of elation, this same sentimental motif is transformed into a more dramatic and fanciful state, as if Tatiana’s dream and her reality are at last intermingled. Notice the melody begins with the trombones and interweaves with woodwinds, while the flourishing of the strings mimic Tatiana’s elation. Without hesitation, she signs the letter and before she can change her mind, sends it to Onegin. Anxious but hopeful, she must now wait for an answer…
Tatiana and Onegin years later, with
Onegin’s letter to Tatiana at their feet (Lidia Timoshenk)
As you listen to soprano Maria Kanyova sing Tatiana’s beautiful letter scene, you will hear motifs that Tchaikovsky uses throughout the opera. These motifs are Tatiana’s thoughts and emotions, but Tchaikovsky cleverly weaves these motifs into Onegin’s music as he rediscovers Tatiana and this time falls in love with her. Tatiana’s youthful motif reappears in her final scenes with Onegin, where they serve as a symbol of what Onegin once scorned and will never have: a love as pure and honest as Tatiana’s love for him.   


Keely Futterer

Rosina, The Barber of Seville

Hometown: Dover, AR
Madison Opera Debut: Léontine, The Anonymous Lover (2024)

Recently: Anna Sørenson, Silent Night (Wolf Trap Opera); Musetta, La Bohème; Armida, Rinaldo; Charlene, Service Provider; Jazz Trio, Trouble in Tahiti (Minnesota Opera);
Armida, Rinaldo; Vanderdendur, Candide; Angostura, Tenor Overboard (Glimmerglass Festival);
Rodelinda, Rodelinda (Hudson Hall); Fiordiligi, Così fan tutte (Opera Memphis);

Upcoming: Marcellina, Leonora (Chicago Opera Theater);
Fiordiligi, Così fan tutte (Virginia Opera); Verdi Requiem (Erie Philharmonic)


Weston Hurt

Baritone, Opera in the Park

Hometown: Spring, TX
Madison Opera Debut: Germont, La Traviata (2019)

Recently: Sharpless, Madama Butterfly (Houston Grand Opera, New Orleans Opera);
Britten's War Requiem (Opera Roanoke); Scarpia, Tosca (Arizona Opera);
Germont, La Traviata (Lyric Opera of Kansas City); Nabucco, Nabucco (Seattle Opera)

Upcoming: Rigoletto, Rigoletto (English National Opera)

Joshua Sanders

Tenor, Opera in the Park

Hometown: Plain, WI
Madison Opera Debut: Giuseppe, La Traviata (2011)
Also at MO: Tobias Ragg, Sweeney Todd; Inmate, Dead Man Walking; Ensemble, Acis and Galatea

Recently: Count Almaviva, The Barber of Seville; Romeo, Romeo and Juliet (Opera San José);
Tamino, The Magic Flute (Nashville Opera); Sam Clay, The Amazing Adventures of
Kavalier & Clay
workshop (Metropolitan Opera)

Upcoming:  Victorin, Die tote Stadt (Boston Symphony Orchestra)

Sachie Ueshima, wearing black in front of a stone staircase.
Sachie Ueshima

Zerlina, Don Giovanni

Hometown: Wakayama City, Japan
Madison Opera Debut
Former Madison Opera Studio Artist

Recently: Cio-Cio-San, Madama Butterfly (Virginia Opera); Violetta, La Traviata;
Krystyna Zywulska, Two Remain (UW-Madison)

Upcoming: Cio-Cio-San, Madama Butterfly (Kentucky Opera)


David Walton

Count Almaviva, The Barber of Seville

Hometown: Twin Cities, MN
Madison Opera Debut: Opera in the Park 2017
Also at MO: Belmonte, The Abduction from the Seraglio

Recently: Ferrando, Così fan tutte (Princeton Festival); Ramiro, La Cenerentola (Toledo Opera);
Count Almaviva, The Barber of Seville (North Carolina Opera);
Frederic, The Pirates of Penzance (Opera San Antonio); Filippo, Deceit Outwitted (Sarasota Opera)

Upcoming: Count Almaviva, The Barber of Seville (Minnesota Opera); Candide, Candide (South Florida Symphony);
Don Ottavio, Don Giovanni (Livermore Valley Opera)

Emily Fons

Donna Elvira, Don Giovanni

Hometown: Milwaukee, WI
Madison Opera Debut: Opera in the Park 2012
Also at MO: Opera in the Park 2024; Rosina, The Barber of Seville (2015)

Recently: Nicklausse, The Tales of Hoffmann (Palm Beach Opera);
Rosina, The Barber of Seville (Cincinnati Opera, Santa Fe Opera);
Woman, Ghosts (San Diego Opera); Cherubino, The Marriage of Figaro (Canadian Opera Company);
Hansel, Hansel and Gretel (New Orleans Opera)

Upcoming: Princess Irene, Tamerlano (Haymarket Opera)


Kanopy Dance

María de Buenos Aires

Hometown: Madison, WI
Madison Opera Debut: Acis & Galatea (2013)
Recently at MO: Florencia en el Amazonas; Trouble in Tahiti / The Seven Deadly Sins


Lisa Thurrell

Choreographer, María de Buenos Aires

Hometown: Madison, WI
Madison Opera Debut: Florencia en el Amazonas (2018)
Recently at MO: The Anonymous Lover, Trouble in Tahiti / The Seven Deadly Sins
Co-Artistic Director of Kanopy Dance

Recently: Director and Choreographer, Winter Fantasia: Reimagined; Polaris + Revelations;
The Next Generation;
Confluence: A Prelude; Graham: In Her Voice; Shades of Light (Kanopy Dance);
Choreographer, Bluebeard's Castle (Des Moines Metro Opera)

Upcoming: Director and Choreographer, Inner Passages (Kanopy Dance);
Choreographer, The Cunning Little Vixen (Des Moines Metro Opera)


Kirstin Chávez

El Duende, María de Buenos Aires

Hometown: Kuala Lumpur, Malaysia / Albuquerque, NM
Madison Opera Debut: Opera in the Park 2006

Recently: Glenda, We Shall Not Be Moved (Pittsburgh Opera); Verdi's Requiem (Pensacola Symphony);
Carlotta de Obragón, Zorro (Fort Worth Opera); Suzuki, Madama Butterfly (Dallas Opera);
Mozart's Requiem (Paducah Symphony); Carmen, Carmen (St. Barth's Music Festival)

Upcoming: Carmen, Carmen (Kentucky Symphony Orchestra); Carmen, Carmen Inside Out (the film)


Ryan Nash

Sergeant, The Barber of Seville

Hometown: Longmeadow, MA
Madison Opera Debut
Madison Opera Studio Artist

Recently: Gherardo, Gianni Schicchi (American Gothic Performing Arts Festival); Frederic, The Pirates of Penzance (Madison Savoyards);
Mercurio, La Calisto; Gastone, La Traviata; Albert Herring, Albert Herring (UW Madison Opera);
Rinuccio, Gianni Schicchi (La Musica Lirica USA); Alfred, Die Fledermaus; Monostatos, The Magic Flute (UMass Opera)

Upcoming: Tamino, The Magic Flute (Opera for the Young)


John DeMain

Conductor: Opera in the Park, The Barber of Seville, Don Giovanni

Hometown: Youngstown, OH
Madison Opera Debut: The Magic Flute (1995)
Recently at MO: Candide, Tosca, Trouble in Tahiti / The Seven Deadly Sins, Salome


Rebecca Herman

Stage Director, The Barber of Seville

Hometown: Austin, TX
Madison Opera Debut

Recently: Carmen (Austin Opera); Don Giovanni (Opera Colorado, Cincinnati Opera);
Un Cuento de Luces y Sonmbras
(LOLA); La Bohème (Glimmerglass Opera);
The (R)evolution of Steve Jobs (Utah Opera, Calgary Opera)

Upcoming: The (R)evolution of Steve Jobs (Washington National Opera); New Opera Workshop, We Might be Struck by Lighting (LOLA)


Fenlon Lamb

Stage Director, Don Giovanni

Hometown: Princeton, NJ
Madison Opera Debut:
La Traviata (2019)
Recently at MO: Lucia di Lammermoor

Recently: La Fanciulla del West (Central City Opera); The Elixir of Love, Così fan tutte (Palm Beach Opera);
The Marriage of Figaro
(Portland Opera); Carmen (Opera Santa Barbara);
Charlie Parker's Yardbird (Dayton Opera); La Bohème (New Orleans Opera); Mozart and Salieri (Opera San Jose)


Kamna Gupta

Conductor, María de Buenos Aires

Hometown: St. Genis-de-Puilly, France
Madison Opera Debut

Recently: The Pearl Fishers (Vancouver Opera); In Our Daughter's Eyes (LA Opera / BMP);
Number Our Days (Perelman Performing Arts Center); Glory Denied (Cleveland Institute of Music);
Rocking Horse Winner (Tapestry Opera); The Rip Van Winkles (Glimmerglass Festival)

Upcoming: Ruinous Gods (Spoleto Festival USA)


Frances Rabalais

Stage Director, María de Buenos Aires

Hometown: New Orleans, LA
Madison Opera Debut: Tosca (2023)

Recently: Macbeth (Resonance Works); Hansel and Gretel (Opera Birmingham);
The Magic Flute (North Carolina Opera); The Barber of Seville (Pensacola Opera)


Charles Eaton

Don Giovanni, Don Giovanni

Hometown: Storrs, CT
Madison Opera Debut: Moralès, Carmen (2017)
Recently at MO: Count Malcolm, A Little Night Music

Recently: Ponchel, Silent Night; Brother, The Seven Deadly Sins (Wolf Trap Opera); Schaunard, La Bohème;
Sam, Trouble in Tahiti; Masetto, Don Giovanni; Argante, Rinaldo (Minnesota Opera);
Fedorov, The Christmas Spider (Opéra Louisiane, Marble City Opera);
English Ambassador, The Ghosts of Versailles (Royal Opera Versailles);
Marcello, La Bohème (Imperial Symphony Orchestra)

Upcoming: Mercutio, Romeo & Juliet (Minnesota Opera);
Silvio, Pagliacci (Pensacola Opera)


Jeremiah Sanders

Leporello, Don Giovanni

Hometown: Marian, IN
Madison Opera Debut

Recently: Marcello, La Bohème; Beau, Service Provider; Jazz Trio, Trouble in Tahiti;
Hortensius, The Daughter of the Regiment; Mago, Rinaldo;
Abilenes's Father / Bryce's Father, Edward Tulane (Minnesota Opera);
Colline, La Bohème (Lyric Opera of the North); Lackey, Ariadne auf Naxos (Lakes Area Music Festival);
Charlie, Three Decembers (South Bend Lyric Opera); The Villains, The Tales of Hoffmann (Union Avenue Opera)


Ashraf Sewailam

The Commendatore, Don Giovanni

Hometown: Cairo, Egypt / San Francisco, CA
Madison Opera Debut:
Captain, Florencia en el Amazonas (2018)

Recently: Dr. Bartolo, The Barber of Seville (Des Moines Metro Opera, Seattle Opera);
Dr. Bartolo, The Marriage of Figaro (New Orleans Opera); Sparafucile, Rigoletto (Opera San Jose);
Giove, La Calisto (Opera Memphis)

Upcoming: Dr. Bartolo, The Barber of Seville (Lyric Opera of Kansas City);
Dulcamara, The Elixir of Love (New Orleans Opera)


Andrew Stenson

Don Ottavio, Don Giovanni

Hometown: Rochester, MN
Madison Opera Debut: Opera in the Park 2021

Recently: Pong, Turandot (Metropolitan Opera); Bill, Flight; The Steersman, The Flying Dutchman (Dallas Opera);
Pang, Turandot (Houston Grand Opera); Don Ottavio, Don Giovanni (Seattle Opera);
Nemorino, The Elixir of Love (Seattle Opera, Minnesota Opera, Florentine Opera);
Count Almaviva, The Barber of Seville (Opera Colorado, Garsington Opera);
Nikolaus Sprink, Silent Night; Tamino, The Magic Flute (Utah Opera);
Fadinard, The Italian Straw Hat (Minnesota Opera); Danny Chen, An American Soldier (Opera Theatre of St. Louis)

Headshot of Hailey Cohen
Hailey Cohen

Berta, The Barber of Seville

Hometown: Edgemont, NY
Madison Opera Debut: Dorothée, The Anonymous Lover (2024)
Also with MO: Paquette, Candide
Madison Opera Studio Artist

Recently: Zita, Gianni Schicchi (Finger Lakes Opera); Hattie, American Gothical (Cedar Rapids Opera);
Sally, The Boy Who Wanted to be a Robot; K., Would You Eat Me? (Thompson Street Opera)


Lifan Deng

Fiorello, The Barber of Seville
Masetto, Don Giovanni

Hometown: Shenzhen, China
Madison Opera Debut
Madison Opera Studio Artist

Recently: Voce 2, Il Nostro Posto nel Mondo (Thompson Street Opera Company);
The Police Agent / Mr. Kofner, The Consul (Third Eye Ensemble);
Don Alfonso, Così fan tutte; Kaiser Overall, Der Kaiser von Atlantis (Northwestern Opera Theater);
Old Adam Goodheart, Ruddigore; Carpenter's Mate, H.M.S. Pinafore (The Gilbert & Sullivan Opera Company);
Olin Brett, The Music Man (Metropolis Performing Arts Centre)

Upcoming: Papageno, The Magic Flute (Opera for the Young)


Laureano Quant

El Payador, María de Buenos Aires

Hometown: Barranquilla, Colombia
Madison Opera Debut

Recently: Schaunard, La Bohème (Wolf Trap Opera); Foreman, Jenufa; Dancaïre, Carmen;
Count of Lerma, Don Carlo (Lyric Opera of Chicago); Escamillo, Le tragedie de Carmen;
Guglielmo, Così fan tutte (The Opera Next Door); Betto, Gianni Schicchi (Ópera de Colombia);
Demetrius, A Midsummer Night's Dream; Captain / Ragotsky, Candide (Orquestra Filarmónica de Bogotà)

Upcoming: Belcore, The Elixir of Love (New Orleans Opera);
Bill, Aufsteig und Fall der Stadt Mahgonny (Staatsoper Stuttgart)


Kelly Guerra

María, María de Buenos Aires

Hometown: Los Angeles, CA
Madison Opera Debut

Recently: María, María de Buenos Aires (Kentucky Opera); Lupita, Cruzar la Cara de la Luna;
Carlotta de Obragón, Zorro (Opera Santa Barbara); Renata, Cruzar la Cara de la Luna (West Edge Opera);
Rosina, The Barber of Seville (Princeton Festival); Ruth Bader Ginsburg, Scalia/Ginsburg (Chautauqua Opera);
Luisa Fernanda, Luisa Fernanda (Opera Hispánica, Opera Williamsburg)

Upcoming: Una Niña, Ainadamar (Metropolitan Opera); Jo, Little Women (Fort Worth Opera);
Isabella, L'Italiana in Algeri (Opera in the Heights); Mrs. Fox, Fantastic Mr. Fox (Opera Omaha)


Alex Taylor

Don Basilio, The Barber of Seville

Hometown: Beloit, WI
Madison Opera Debut: Mother, The Seven Deadly Sins (2023)

Recently: Green Shirt Guy, Mel Rides the Bus Alone (Pittsburgh Opera);
Sarastro, The Magic Flute; Dr. Bartolo, The Marriage of Figaro (Carnegie Mellon University)


Levi Hernandez

Dr. Bartolo, The Barber of Seville

Hometown: El Paso, TX
Madison Opera Debut: Papageno, The Magic Flute (2006)
Recent at MO: Alvaro, Florencia en el Amazonas; Opera in the Park 2018

Recently: Diego Rivera, El Último Sueño de Frida y Diego (Opera Omaha);
Tonio, Pagliacci (Hawaii Opera Theatre); Dandini, La Cenerentola (Boston Lyric Opera);
Peter, Hansel and Gretel (Opera San Antonio); Lescaut, Manon Lescaut (North Carolina Opera)

Upcoming: Lescaut, Manon Lescaut (Washington National Opera); Benoit/Alcindoro, La Bohème (Lyric Opera of Chicago);
Alvaro, Florencia en el Amazonas (North Carolina Opera)


Benjamin Taylor

Figaro, The Barber of Seville

Hometown: Waldorf, MD
Madison Opera Debut:
Silvio, Pagliacci (2018)

Recently: Bello, La Fanciulla del West (Bayerische Staatsoper); Moralès, Carmen (Metropolitan Opera);
Guglielmo, Così fan tutte (Princeton Symphony); Jan Nyman, Breaking the Waves (Detroit Opera);
Silvio, Pagliacci (Austin Opera)

Upcoming: Marcello, La Bohème (Arizona Opera); Jake, Porgy and Bess (Washington National Opera);
Schaunard, La Bohème (Charleston Opera Theater)


Katerina Burton

Donna Anna, Don Giovanni

Hometown: Ocean City, MD
Madison Opera Debut: Opera in the Park 2024

Recently: Mimì, La Bohème; Verna/Young Lovely/Evelyn, Fire Shut Up in My Bones (Opera Theatre of Saint Louis); JFK: The Last Speech
(National Symphony Orchestra); Britten’s War Requiem (Strathmore Music Center);
Russian Chamber Art Society; Postclassical Ensemble Concert (The Kennedy Center); Girlfriend 2, Blue;
Micaëla, Carmen (Washington National Opera); Alice Ford, Falstaff (Aspen Music Festival);